Lauren Gienow - Page 9

SHE STOOPS TO CONQUER opened recently at Stratford Festival's Avon Theatre. As you watch it, it quickly becomes apparent as to why this play has withheld the test of time. Laugh out loud humour, beautiful set design, and an excellent cast make for an enjoyable evening (or matinee) at the theatre.

THE ADVENTURES OF PERICLES by William Shakespeare, and directed by Scott Wentworth, opened at Stratford Festival's Tom Patterson Theatre on Saturday night. Starring Evan Buliung as the title character, this production was moving and fun from beginning to end.

Stratford Festival's production of CAROUSEL opened on May 29th at the Avon Theatre. Despite an unsettling story with challenging themes, the performers in this production are able to rise to the challenge and present some of the finest song and dance that this stage has seen.

On Thursday May 29th, THE DIARY OF ANNE FRANK opened at the Stratford Festival. It was an honest, stunning production that featured beautiful performances by all involved.

If you happen to be coming to Stratford Festival looking for a show that makes you laugh, think, and question whether the human race is doomed-all in equal measure…then look no further than director Miles Potter's disturbingly delightful production of THE PHYSICISTS. If you did not know you were looking for a show that did those things to you…well, trust me. You are. Come see this show.

HAMLET opened the 63rd season of the Stratford Festival to resounding applause at the Festival Theatre on Monday night. Directed by the Festival's Artistic Director, Antoni Cimolino, this HAMLET is exciting from start to finish. The entire ensemble shines as brightly as the light used to represent King Hamlet's ghost (Note: It is a very bright light).

THE BEAUX' STRATAGEM, directed by Stratford Festival Artistic Director Antoni Cimolino opened to raucous laughter and thunderous applause Friday night at the Stratford Festival. With a cast like this, I would not expect anything less. This fun and thoughtful restoration comedy by George Farquhar, presents audiences with many players, harboring many talents... leading to many laughs. Needless to say, I suspect MANY tickets will be sold.

William Shakespeare's ANTONY AND CLEOPATRA opened on Thursday night at Stratford Festival's Tom Patterson Theatre. Last performed at the festival in 2003, this production stars Geraint Wyn Davies and Yanna McIntosh as the famed Roman General and Queen of Egypt, respectively. Directed by Gary Griffin, and featuring many stellar performances, Shakespeare's perspective of this historic relationship is brought to life.

From the moment the Stratford Festival production of A MIDSUMMER NIGHT'S DREAM: A CHAMBER PLAY begins, it is clear that it will be an experience unlike any production of 'Dream' you have ever seen before. In fact, it will likely be a new experience to most Stratford Festival audiences.

Following up on the success of last season's production of Noel Coward's Blithe Spirit, the Stratford Festival is presenting another Noel Coward favourite this year. HAY FEVER recently opened at the Avon Theatre, and judging from the raucous laughter it produced from the opening night audience, it is likely to be a hit among theatre-goers this season.

Rodgers and Hammerstein's classic musical SOUTH PACIFIC (book by Hammerstein and Joshua Logan) is currently playing at Drayton Entertainment's Huron Country Playhouse in Grand Bend, Ontario, under the direction (and choreography) of MICHAEL LICHTEFELD and it is an absolute delight!

Director CHRIS ABRAHAM's production of A MIDSUMMER NIGHT'S DREAM at the Festival Theatre is sure to be the most talked-about production at Stratford Festival this season. This, in itself is a huge feat, as this season is full of brave and exciting productions. Not all of the talk will be positive (though much of it will be), but it will all certainly be passionate!

MOTHER COURAGE AND HER CHILDREN, Directed by MARTHA HENRY, and set in the 30 years war that ravaged 17th century Europe, is as moving, upsetting, and as politically relevant as ever…which is likely exactly what playwright Bertolt Brecht intended when he initially wrote it as a response to the Second World War.

The theme this season at the Stratford Festival is Madness: Minds Pushed to the Edge and when it comes to choosing a musical to fit this theme, there is quite possibly no better choice than MAN OF LA MANCHA.

On a frigidly cold night in the middle of a long Canadian winter, a group of people gathered together in a cozy cafe to experience what is quickly becoming Canada's newest national treasure. MAKING LOVE IN A CANOE (which can also be experienced in album form) is a review of beautiful Canadian music theatre, created and performed by CanCon-loving duo Kyle Golemba and Adam White.

In a Canadian town like Stratford, Ontario that is known for formally presenting incredible live talent on a daily basis, it's always fun when some of those talented people involved (as well as their talented friends) come together for a less-formal celebration of all kinds of music (and even some dance). This is what current Stratford Festival performer Katrina Reynolds has put together for KAT'S CABARET; a series of cabarets that have taken place in Stratford this summer. Her more chilled, out, acoustic cabarets have been held at an intimate restaurant with a rustic feel (Montforte on Wellington), and for loud rock and roll themed cabarets, Molly Bloom's Irish Pub has been the venue of choice. The roster of performers is ever-changing and always impressive, allowing for a fun night out that no one should miss!

THE MERCHANT OF VENICE-arguably William Shakespeare's most controversial play, is being tackled this season at the Stratford Festival for the first time since 2007. Under the direction of (Artistic Director) ANTONI CIMOLINO, this production does not shy away from the controversial nature of many characters' anti-Semitic views, and in fact, highlights the danger of such views by placing this production in a timeline leading up to the Holocaust. The constant reminder of what is to come provides a dark and almost eerie backdrop to this production, creating a thought-provoking dark 'comedy' for the ages.

Director Chris Abraham's production of OTHELLO opened to thunderous applause at Stratford Festival's Avon Theatre. The audience appeared so enthralled by this production that its devastatingly tragic nature seemed to cling to patrons as they exited the theatre. Simultaneously; however, there was a paradoxical sense of excitement and joy about what brilliance had just been witnessed.

When one thinks of Stratford Festival, they might think of the classic productions that are often staged to great acclaim; but it is important that audiences are also aware of the bold new productions that are premiering at the festival. THE THRILL by Judith Thompson is one of these plays and it certainly should not be missed.

Tuesday night marked the opening of TAKING SHAKESPEARE at Stratford Festival's intimate Studio Theatre. This play, written by Canadian playwright John Murrell, and directed by Diana LeBlanc, tells the story of an unlikely bond that develops between a professor (Martha Henry) and a struggling university student (Luke Humphrey) as they explore Shakespeare's OTHELLO and slowly begin to learn more about one another in the process. This show not only provides a master class in acting, but a master class in OTHELLO as well. It is both poignant and funny and it is sure to leave the audience reflecting on important moments from their own lives (happy or sad) and the people who have left an impact on them over the years.